Struggle Session: Burn After Reading

Jan. 29th, 2026 10:23 pm
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Posted by Dan Savage

Actually, you might wanna burn this one before reading. You’ve been warned. It’s ironic that this letter came in this week, as we had a sewage pipe burst in our basement and… yeah. Let’s just say we were living the dream. Not our dream, to be clear, but definitely the dream of the LW’s husband. … Read More »

The post Struggle Session: Burn After Reading appeared first on Dan Savage.

A Quick Thank You To A Kind Reader!

Jan. 29th, 2026 10:00 pm
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Posted by Athena Scalzi

Hey, everyone! I just wanted to take a moment to thank a reader who sent me some very lovely spices from Penzey’s. It really made my day to open a package I wasn’t expecting and get something so awesome!

Two variety boxes of Penzey's spices, each containing eight glass spice jars. Plus one free sample packet!

So many commenters have recommended this spice brand to me, so I’m stoked to try it out finally. Also, I didn’t realize they were glass jars until I actually touched them. The fact that they’re glass just makes them so much better, honestly, like how aesthetic and nice is that?

Gift giving is my love language, so it really means so much to me that someone thought of me enough to send such a kind gift. A truly perfect housewarming gift!

I won’t name them in the post, in case they don’t want the attention, but if it was you please feel free to claim your glory in the comments, you rock!

Can’t wait to whip something up with these spices, especially the more unique ones.

-AMS

The Big Idea: Miles Cameron

Jan. 29th, 2026 05:56 pm
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Posted by Athena Scalzi

Author Miles Cameron is here today to introduce you to book number one of his space opera series. Though the first of many to come, there’s plenty of spaceships, drama, and war to go around, so strap in for the Big Idea of Artifact Space.

MILES CAMERON:
In 2018, I was sitting at a small SFF con in London with Alistair Reynolds, one of my favourite all-time Science Fiction authors, and I confess I was being a bit of a fan boy, telling him all about what I loved in his books, and he waited me out and then said something to the effect of ‘I hear you spent time on an aircraft carrier.’ The two of us then chatted away for half an hour about life on a carrier and how much we both thought it might be the closest thing to life on a big spaceship, when my editor (up until then I mostly wrote historical fiction and fantasy) turned around in her seat and said, ‘I’d buy that.’
When you are an author, these are very important words. I marked them down. I began to consider how I’d write a science fiction novel loosely based on ‘life on an aircraft carrier.’ Still, despite my military service, I wasn’t really interested in writing ‘military sci-fi’ per se, and I wrote myself some notes and—did other things.
A year later, I was writing a series of historical novels based in fifteenth century Venice and I became fascinated by the idea that Venice—a maritime state—built enormous (for 1450) galleys that carried on most of the trade with the Islamic world, travelling for months and even years on pre-determined routes that linked far-off lands like England and Egypt. I loved the idea that these Venetian seamen would, in the same trip, see so many disparate societies.
These ships doubled, in time of war, as major fleet elements. The idea of combined trade and military fascinated me, and Venice fascinates me still, and there it was—Great Galleys, like spaceborn aircraft carries, on long trade missions to the stars. I mean, there it was, except that it lacked a story.
I have a belief that art makes art; some of my best ideas have come to me while watching a good live play, an opera, a ballet, or a movie. I’m not sure exactly why; there’s an element fo free-association to watching people perform, I suppose—but it always works for me, and in the case of Artifact Space I was watching Florence Pugh in ‘Little Women,’ the last time I went out before COVID and lockdown here in Toronto. I sat there, watching this wonderful performance of one of my favourite books from childhood, and suddenly it was all there. I knew how I would design the human sphere to reflect Venetian trade routes; I saw how I could have the book start in a futuristic Saint Mark’s Square (the heart of Medieval Venice) and I suddenly saw my protagonist and the arc of her story. I think one of the problems of my first ‘Big Idea’ was that the aircraft carrier wasn’t a story—it was an idea. Venice in space was an idea. Both were backdrops on the way to world building. I have the good fortune to be a second-generation author, and one of my father’s favourite sayings was ‘an idea is not a book.’ True words. The aircraft carrier was not a book. Even the idea of Venice in space was not a book.
But Marca Nbaro is a protagonist with a back story and a future arc, and putting her, via Florence Pugh playing Amy March, aboard a ten-kilometre spaceship trading with aliens—it all came in a second. I knew Marca, I knew where she was going and I knew the set of secrets at the heart of the series that would drive the action. I could see the events–alien contact, Artificial Intelligence and its possible flaws, and the difficulties of a trade empire suddenly forced to act as a polity in the face of threat and change.
Good stuff. Other writers have been there before; I’m a huge fan of C.J. Cherryh and she won a Hugo writing on similar themes in Downbelow Station, one of my favourite books of all time. But I had one more ‘Big Idea’ to toss into the mix, because politics interests me and we live, right now, in ‘Interesting Times.’ I wanted humanity to be trapped in someone else’s war, bit players in a larger play, forced to make society-altering decisions just to survive. I wanted to show change, the sort of change people my age have already seen sweeping over us; technological change, societal change, political change.
Interstellar trade, giant spaceships with thousands of crew, massive political change, Alien contact, and one somewhat battered orphan trying to find her place in the universe. Sitting in the theater as the lights came up, it was, I promise you, all one Big Idea.


Artifact Space: Amazon|Barnes & Noble|Bookshop|Powell’s

Author socials: Website|Bluesky|Instagram

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Posted by John Scalzi

When the history of the moment is said and done, there are going to be people who wished they had been on the same side as Bruce Springsteen and Billy Bragg, and some who will lie that they had always been. But they will know the truth, and so will others. It won’t be forgotten.

— JS

The Big Idea: Salinee Goldenberg

Jan. 28th, 2026 04:05 pm
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Posted by Athena Scalzi

When you have two great ideas, why not have them work together to get the best of both worlds in one story? Author Salinee Goldenberg decided to do just that for her new novel, Way of the Walker. Enjoy hearing about her process of combining these ideas in her Big Idea.

SALINEE GOLDENBERG:

‘In its bare reality, decolonization reeks of red-hot cannonballs and bloody knives. For the last can be the first only after a murderous and decisive confrontation between the two protagonists. This determination to have the last move up to the front, to have them clamber up (too quickly, say some) the famous echelons of an organized society, can only succeed by resorting to every means, including, of course, violence.’

-Franz Fanon, The Wretched of The Earth 1961

There were two ravenous wolves of ideas within me when I sat down to write Way of the Walker. In one corner, we have an anti-colonialist war epic inspired by the late Rattanakosin era of Siam and the surrounding conquest of Southeast Asia by western powers. In the other, a character study, an anti-hero saga starring our headstrong protagonist Isaree, an estranged phi hunter on a journey of self discovery, defined by her uncompromising morals and a mission to administer the justice she sees absent in the world.

These two Big Ideas circled the story, which at times, frantically evaded capture, a juicy, nimble deer that refused to be devoured completely by one or the other. I needed to force my two hungry wolves to politely share this meal — to collaborate on its consumption in a viably publishable amount of words. Even though Way of the Walker is a stand alone, the real life inspiration behind the world of Suyoram began with my first novel, The Last Phi Hunter, a dark fantasy adventure inspired by Thai culture, folklore, Buddhism, and mythology. I didn’t want just a snapshot into a fantastical world, I wanted it to feel alive. A living world breathes, grows, dies, evolves… so I explored the effects of modernization in rural lands, the nostalgia of fading traditions, the death of mysticism, the yearning for a life that never was. I dipped my toe into the historical inspirations behind the world of Suyoram, but for the heavy themes in Way of the Walker, there was no shallow end to wade into. I had to dive in headfirst. 

Something that deeply interested me has always been how Thailand avoided colonization throughout the centuries as competing European powers descended upon the resource rich region and violently established control. Fortuitously, Siam’s geographical location served as a buffer between the British Empire and French Indochina, but Monkut and his heir Chulalongkorn (King Rama IV and V, respectively) realized that subjugation would be inevitable without drastic action.  

They educated their nobility overseas, adapted western fashions and architecture, and passed democratic legal and social practices, to the extent that some historians contend that Siam “colonized itself” in order to be perceived as culturally equal by the encroaching imperialists. Through territorial concessions, policy reforms, and diplomatic ingenuity, Siam remained independent, and the name of the country was eventually changed to Thailand in 1939 — “Thai” literally translating to “free.”

However inspiring this was, I wasn’t interested in writing a court intrigue dense with complicated political discussions. I wanted action, magic, murder, romance, mayhem! So the historical set up was only a jumping off point for the second wolf to come in. The “Grisland” antagonists in Way of the Walker are a conglomeration of western-coded oppressors, and I pulled more inspiration from struggles for sovereignty not only from other Southeast Asian countries like Vietnam and Malaysia, but from all around the world —  Algeria, Cuba, Bolivia, Kenya, Palestine, and more — no colonized peoples are ever alone.

Revolutions arise from the oppressed, the working class, the people, which the protagonists from both books are — but Ex from The Last Phi Hunter wasn’t the right lead for this story. His daughter Isaree, however, has grown up in the shadow of atmospheric violence, and was the natural evolution for this point of history. The injustices she witnesses and a crisis of faith drive her to seek answers, to seek power, and ultimately, to strike back at the oppressors, despite the personal cost. She’s heroic, but flawed, and not without limitations. 

The worst of these limitations was a narratively practical one. Isaree is a viciously fun character to write, but she’s all predator, instinct and raw power, with one foot into the world of devas and spirits, but can’t tell a treaty from a roll of toilet paper. How do I dig into the meat of a decolonialist narrative if the protagonist has no framework for geopolitics, or international trade wars, or, well… that’s where the Big Idea splits into a secondary POV — the renegade prince sent to kill her, as a favor to appease the king’s allies. With this insider view, we see what Frantz Fanon calls the “colonist bourgeoisie” perspective, which was the mediator bridge I needed, and made for great drama.

I had big ideas for this novel, but it’s something I’ve wanted to explore for years, and I was hungry for it. When I made the last edits, and the pass pages went to print, I can honestly say my appetite was satiated, and I settled in for a two-day victory nap. So if you’re itching for an action-packed fantasy war epic with an angry yet hopeful bichaotic protagonist, and big contemplations of what it means to punch up with a fist full of magic and a heart full of rage, go check it out.


Way of the Walker: Amazon|Barnes & Noble|Books-A-Million|Bookshop|Powell’s

Author socials: Website|Instagram

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January 28th, 2026next

January 28th, 2026: Me and JASON LOO (!) are putting on a SPECIAL EVENT with the Hamilton Public Library where we'll be discussing COMICS and WRITING and will sign all your books too! It's on January 29th, 7pm, at the Westdale Branch - hope to see you there! IT'S TOMORROW NIGHT!

– Ryan

My Minor Annoyance Of The Day

Jan. 27th, 2026 09:00 pm
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Posted by Athena Scalzi

I ordered some Valentine’s themed goods from Michael’s recently, including these heart print champagne flutes. I ordered these because they’re actually made of glass and all other V-Day themed “glasses” I found were actually acrylic, and also way too expensive for plastic fucking cups. How are you going to charge almost ten dollars per “glass” when they’re plastic? Yet these actual glasses were four dollars. Wild.

Anyways, lucky me, two of them arrived shattered:

Two completely shattered champagne flutes sitting on a granite countertop.

(Ignore the multiple packs of Liquid Death in the background, I was trying to fit the cans in the fridge. And YES I like Liquid Death, I don’t care if it’s kind of cringe marketing.)

If you follow my dad on Bluesky or Instagram, you might have seen not too long ago he posted that three of the four (much nicer) champagne glasses he ordered arrived completely broken:

Thankfully, he was able to get a refund, but it was genuinely a hassle. My refund for my two much cheaper glasses was a lot easier, and now a whopping seven dollars is back in my bank account.

Look, this post isn’t about getting refunds or being disappointed by broken glasses, it’s about the fact that somebody needs to start a delivery company that specializes in fragile packages and doesn’t just fastball your package at your front door. You can put “fragile” stickers on a package all you want and that mail carrier is still going to treat it like how airline workers treat your three hundred dollar suitcase. Aka NOT GOOD.

I’m serious, if there were a delivery company that guaranteed careful handling and extra care to get your goods to you in one piece, I’d be thrilled. I’m gonna start needing white glove delivery on every single package at this rate because I’m tired of hearing my package sound like a maraca when I bring it inside.

So, there you have it. My minor annoyance of the day. I shall live.

-AMS

The Big Idea: A.C. Wise

Jan. 27th, 2026 05:10 pm
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Posted by Athena Scalzi

We’re all just trying to be good people, and sometimes in that journey we make mistakes. Perhaps the same goes for ghosts, as author A. C. Wise suggests in the Big Idea for her newest novel, Ballad of the Bone Road. Fae queens, paranormal detectives, and famous Hollywood ghosts, oh my!

A. C. WISE:

The big idea behind The Ballad of the Bone Road started out as several small ideas. The names Brix and Bellefeather made their way into my head and struck me as the perfect names for a pair of supernatural investigators. Around the same time, the line “When I was twelve years old, I met the Devil in an oak tree,” popped into my head. Finally, misheard song lyrics put the image in my mind of two young lovers in a hotel room summoning a ghost and becoming a throuple. 

Those three bits of inspiration may not have happened in that exact order, but they happened close enough to each other that it seemed reasonable to me that they would all be part of the same story. The big idea then became a question – how do these pieces fit together? How do I get all these people in the same place and how best to complicate their lives?

While the original line about meeting the Devil in an oak tree didn’t survive fully intact, I realized it was a fundamental part of Bellefeather’s backstory and why she makes the choices she does throughout the novel. Brix, then, would obviously meet the lovers and get caught up in their haunting, which turns out to be far more complicated than any of them could have anticipated.

My previous two novels, Wendy, Darling and Hooked, are a duology of sorts, inspired by Peter Pan. I wanted Ballad of the Bone Road to be something different, but there are certain themes that carry across all three works, namely characters making bad choices in response to trauma. At their core, the characters in all three novels (with the possible exception of James aka Captain Hook) are mostly trying to be good people and do the right thing, but they make a fair number of missteps along the way. They hurt those around them by holding on too tight or by pushing them away; they let fear drive them until it forces their hands and they discover they know how to be brave.

Ballad of the Bone Road is inspired, to a certain degree, by the glamor of the silver screen, an art deco aesthetic, and stories of the fae that depict them as inhumanly lovely and dangerous in equal measures. There are also ghosts, of course there are ghosts, but what happens when a haunting is accidental and more melancholy than malicious? Instead of driving out their ghosts, what if those experiencing the haunting were doing everything they could to hold on?

Even if the initial ideas may have been small and disparate ones, they all came together in the end, and I’m pleased with the questions the book poses and the ways the characters respond to the situations they find themselves facing. They are flawed and imperfect and human – even when they’re not exactly human – and most of them are just trying to do the best they can.


Ballad of the Bone Road: Amazon|Barnes & Noble|Bookshop|Forbidden Planet|Waterstones

Author socials: Website

The Roomies

Jan. 27th, 2026 12:00 pm
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Posted by Patrick Kearney

About a year ago I moved in with childhood best friend and his husband. We’re all in our mid-thirties. It’s been going great, and I consider the three of us to be fairly close. About a month ago, the husband and I stopped at the local pharmacy on the way home, which is how our … Read More »

The post The Roomies appeared first on Dan Savage.

Ah. The Gardener.

Jan. 27th, 2026 12:00 pm
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Posted by Nancy Hartunian

Have we reached peak poly drama? A queer woman has been open with her male live-in partner, having lots of great sex with him and others. The problem? His cat won’t pay any attention to her. She doesn’t feel jealous of the humans in their lives, but this cat! A widowed 81 year-old woman has … Read More »

The post Ah. The Gardener. appeared first on Dan Savage.

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Posted by Athena Scalzi

So often I write about extravagant, expensive dinners and specialty dining events, but today I’m here to tell you of an absolutely banging bargain lunch.

I love Indian food, but it’s scarce to come by in my area. The closest establishment to me is Amar India Restaurant, and it’s actually its north location in Vandalia rather than its original location in Centerville, which is considerably further south from me.

Amar India North has a lunch menu that starts out at a mere ten dollars, and only goes up to about fifteen dollars if you get one of the more expensive dishes like the lamb curry. There’s also chicken curry, chicken tikka masala, I think a fish curry, and the one I always get, saag paneer.

Once you pick your main, it comes with rice, naan, their vegetable of the day, and a small dessert. This is what the saag paneer platter looks like:

A stainless steel platter with different sections, one filled with rice and the naan on the side, one containing the dessert, one holding the vegetable of the day, and of course a section holding the saag paneer.

Two pieces of plain naan, rice, a big ol’ portion of saag paneer, pointed gourd as the vegetable of the day, and two jalebi for the dessert. I have had this platter three times and each time the vegetable has been different, but never the dessert, which is a shame because I’d love to try some of their other desserts, especially the kulfi and Gulab jamun.

It may not look like much saag paneer but I can assure you it’s a generous portion size for the price. I’m pretty sure the saag paneer platter in particular is thirteen dollars, plus I always get a mango lassi, which is $4.50, so in total I’m spending less than twenty dollars for a very filling and very delicious lunch! I truly think this is such a good deal and you get to support a local business.

I know the Centerville location used to have a lunch buffet. I don’t know if they still do but I’d like to make it down there sometime soon to see for myself. There’s also a Beavercreek location under the name Jeet India Restaurant, so I’ll have to check that out next time I’m in the area.

I just had this meal on Friday but now I’m already craving it again after telling y’all about it. Especially the mango lassi, I really could drink a gallon of that stuff.

Oh, and while you’re at Amar North, they just opened an Indian grocery store right next to the restaurant called Anand Indian Grocery. I popped in there on my latest visit to the restaurant and they have a huge selection of items, including specialty produce and cooking ingredients like ghee and tons of spices, plus the biggest bags of rice you’ve ever seen.

They also have tons of fun and unique snacks and sweets, and even ice cream flavors I’ve never heard of.

If you’re in the Dayton area, I highly recommend making it out to Amar North for their lunch special sometime this week. It’s between the hours of 11am and 2pm. I think I’ll go again tomorrow for a nice solo lunch.

Do you recommend any lunch specials in the Dayton area? Are you also a big saag paneer fan? Let me know in the comments, and have a great day!

-AMS

The Travel Gods Demanded a Sacrifice

Jan. 26th, 2026 09:47 pm
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Posted by John Scalzi

I was away this weekend visiting a friend and seeing a concert, and my return home was delayed a day because of the weekend snowstorm. Heading back, I managed to avoid the crash on the I-70 that closed all the eastbound lanes of the interstate, but as you see, that luck came at a price: Immediately upon returning home my boots de-soled. The travel gods, apparently, needed a sacrifice.

These boots, as it happens, are nearly twenty years old, so the sacrifice was reasonable. It wasn’t like I had just gotten these shoes. In fact, the fact they were twenty years old was probably why they became a sacrifice; after two decades, the glue had clearly desiccated into nothingness. I can’t complain. I got good value out of these boots. The travel gods may take them to Shoehalla with my blessing.

In other news, I need new boots; there’s a ton of snow on the ground and my Sketchers are not gonna handle that. A-shoppin’ I will go.

— JS

Minnesota In My Thoughts

Jan. 25th, 2026 03:02 am
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Posted by John Scalzi

I’m away and mostly offline this weekend but I’m seeing the news. Minnesota, you deserve so much better than what this government is doing to you.

— JS

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